Continuing
to write horror, I tried to remember things that really scared me. When I grew up, one
of the scariest shows on TV was The
Twilight Zone. Now there were others. I remembered being frequently
frightened by a program called One Step
Beyond; there were also Chiller and Thriller, regular prime-time shows that made me jump and want to
sleep with the light on, but the Twilight Zone excelled them. That program was consistently scary.
William Shatner in "Nightmare at 20,000 Feet" |
A Twilight Zone Episode titled "The
Hitchhiker"
exemplifies this
strategy of story-telling. A woman
driving cross-country begins seeing a
hitchhiker. He asks for a ride, and is obnoxious, all but insisting she let him in the car. She
refuses and drives off, but he begins to show up in different places. Once her
car will not start and he begins slowly walking toward her. The car finally
starts and she pulls off. Another time, she is stopped by a train, sees him
standing there, looks around for a way to escape his presence, but finds he has
disappeared. Another time, she asks a filling station attendant to tell him to
leave her alone. Again, he has disappeared. Distraught, the woman calls her
mother. She is informed that her mother is sedated after breaking down when she
found out her daughter had been killed in an automobile accident three days
ago. The woman goes back to her car. She turns the mirror down to see the
Hitchhiker sitting in the back seat. "You are going my way," he says.
He is Death
and has come for her.
Lots
of Twilight Zone episodes followed this pattern. I decided I would write one as
well. The story was called "You Are Here."
In
that story, a woman (named Felicity) goes into a highway rest stop. After using the bathroom,
she notices the familiar push-pin on the map with the caption YOU ARE HERE has fallen down. She tells the janitor,
who says he will fix it. She sees he has put it in the wrong place, goes to tell him, but sees he is not the
same janitor as was working before. Soon she encounters people: four young women dressed in sixties style.
One of them has a turquoise transistor radio and listening to "Look
Through Any Window" by the Hollies. Felicity goes outside and
finds the parking lot empty
Back inside, she sees a new janitor, a woman this
time, who tells her that once again the YOU ARE HERE
pin has fallen down. Spooked, Feicity runs outside. She is relieved to see cars on the parking lot again, though
they look old—she sees Studebakers, Desotos, and classic Corvettes but then is
horrified to find them inhabited by decaying corpses of drivers and families.
She runs back to the rest stop. Inside, a woman with an Obama for President
button approaches her. Felicity is relieved that someone from her own era
is there. But in the last sentence of the story, the woman addresses Felicity: “Could you tell me exactly
where we are?” she asked. “I think the marker on the map must have fallen off.”
What
will happen to the Felicity? You're not sure. But she is somehow trapped in a
non-reality—or a different reality. You sense she will never escape. Is she
like the retro girls, the janitor, the woman with the Obama button, trapped? Is
she dead? The corpses in the parked cars suggest as much. The reader (and
the author) are not sure. But something strange and frightening has occurred.
The
Twilight Zone began with a monologue
spoken by the show's creator, the late Rod Serling. The opening varied from
season to season. Here's the one I remember most: You're
traveling through another dimension, a dimension not only of sight and sound
but of mind. A journey into a wondrous land whose boundaries are that of
imagination. That's the signpost up ahead - your next stop, the Twilight Zone.
In a different dimension, strange things can happen.
This
is the stuff of good horror.
The story appeared in Monster's Travel Anthology--no longer in print or available.
Read ShadowCity, paranormal fiction about love, darkness, and the light within you.
For more titles, check out my Writer's Page.
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