Seamus Heaney |
Continuing
on with Sossity Chandler, another story came to mind, this one inspired by a
poem by Seamus Heaney. If you don't know his poetry, the late Mr. Heaney was an
Irish poet who won about every award you could think of, had a long and
illustrious career as a poet, and also worked as a translator. He did a
translation of the ancient poem Beowulf.
That particular translation was the first book of poetry to make the New York
Times Bestseller List in fifty years (the last one was one of Robert Frost's
books). The name of the story was "Punishment."
Sossity appears at different stages of her career. In some of the
stories, she is struggling, playing one-night stands, and barely making enough
money to survive. She doggedly goes on, determined to continue her career as a
musician even if it is not rewarding Success eventually comes to her. At the
beginning of "Punishment," she has just made it big, her songs have
gone to number one, and the status she dreamed of has come about at last.
Sossity
still respects the gigs she scheduled before success came. She plays as featured
artist at a poetry slam at a place called Quimby's Irish Bar. I did poetry
slams for years. They were raucous readings of performance poetry done often in
bars and coffee houses. Poets would read and judges picked from the audience
rated the poems. In the story, "Punishment," Sossity not only does
music but reads some of her favorite poetry. She also meets Aidan Sinico, a
regular patron who, her husband mentions, is a former IRA member who had to
leave Ireland for going rogue. One night, in fact, she helps his wife get him
home when he drinks too much. She notes that his house is across from a house
in which she grew up. One of her booking agents who was Irish said Sinico
committed terrorist acts. When Sossity asks about them, he says, "You
don't want to know."
Years
later, on a tour of Ireland, she meets another person who knows Sinico. Her name
is Gisel, and she was the victim of one of his gang's terrorist acts. She was,
literally, tarred and feathered by them. “They
tarred and feathered me,” Gisel continued. “Some people found me an hour later.
I was almost dead. They got me free and got me to a hospital. Recovering from
the physical damage was easy compared to what it took to put myself back
together psychologically. I tried to kill myself twice. The second time I
almost succeeded. If it hadn’t been for Lenny, my husband, and the people from
this organization who supported and counseled me, I would have either committed
suicide or gone mad.”
Sossity
tries to console Gisel, but her efforts don't work. She tells Sossity the IRA
wanted to kill Sinico because his acts made them look bad, but they could not
locate him. They would only go after him, she said, if they could do it
"pat"—easy and with no chance of being caught. Later on, Sossity
hears that Sinico has been killed—shot to death and then covered with tar and
feathers. She also finds out that she had a part in it because she told her
booking agent that she used to live across the street from Sinico and there was only
one number difference in their addresses. Her web page included a picture of
her as a little girl, on her bicycle, in front of her house. The house number
is visible in the photograph. Her booking agent probably mentioned it to Gisel,
Gisel looked at the webpage and reported what she found to the IRA.
The
story ends with Sossity reflecting on the impulses that lead to terrorism and
murder. She remembers the poem "Punishment" by Seamus Heaney, about a
girl killed in ancient Germany and an incident in Ireland similar to it a millennia
later:
My poor scapegoat,
I almost love you
but would have cast, I know,
the stones of silence.
I am the artful voyeur …
I who have stood dumb
when your betraying sisters,
cauled in tar,
wept by the railings,
who would connive
in civilized outrage
yet understand the exact
and tribal, intimate revenge.
The layers of tribalism, hatred,
sectarianism seem to be so embedded in our society, so entrenched they can
never be challenged or altered. Sossity wonders how music or anything else can
make a difference. As Heaney points out, we condemn but we also understand. The
impulse to belong to and exclude run deep in the human soul. All of us are
vulnerable to satisfaction of "tribal, intimate revenge."
The story appeared in Sex and Murder magazine, no longer published, but you can read it in their archives, here, "Punishment."
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